| |
 |
| Anna and the Soldier (Dir Soeren Hueper) |
Italy in 1950. The 18-year old Italian girl Anna is haunted by her past. Six years ago she lost her whole family in a massacre by the German Wehrmacht. Now she is living a hard and lonely life in her small village. Again and again she is drawing her horrific memories. The Italian Civilians had to dig their own graves before they were shot by the Germans... Suddenly one of the soldiers, who can not get along with his crime returns. The moment of revenge has come. With an old pistol of her grandfather Anna forces the stranger to dig his grave. But is she really able to bring it to the deadly end? |
|
|
 |
| Awakening: (Dirs. Joel Weber, & Dominic Howes) |
In Bihar, India’s poorest state, Sister Mary Lobo organizes women’s groups who learn to save small sums and invest as a group. A new ideology is spreading that far transcends rural women’s traditional roles. In Afghanistan, AWAKENING reveals the lives of Afghan women few Westerners have seen. They talk openly about life under the Taliban and their current initiatives for women’s economic development and rights. Is this the beginning of a new economic system, in which the poor band together to become more self-sufficient? Sister Mary says, “A new class, a new world is being born, with some alternative values like sharing, mutuality, collaboration and closeness to Nature. These are the values precisely with which globalization and the corporate world need to be challenged.” |
|
|
 |
| Binta and the Great Idea (Dir. Javier Fesser) |
Binta is a 7 year old girl who lives in a small charming village on the Casamance river in southern Senegal. She goes to school. Her cousin Soda does not have the same good fortune. She is not allowed to learn about the things of the world. Binta admires her father, a humble fisherman who, concerned about the developement of mankind, is determined to carry out an idea that has ocurred to him.
|
|
|
 |
| Caught in Paint (Dir Rita Blitt) |
'Caught in Paint' is a 6 minute video capturing painter/sculptor Rita Blitt painting on four by eight foot transparent surfaces while choreographer David Parsons and members of the Parsons Dance Company are seen in mid-air, through the painting, imitating the dancing lines of Blitt's paint strokes. Lois Greenfield, who collaborated in this union of paint, dance and photography, made dynamic photographs as she, too, was being filmed. The creative sparks and positive energy of all the artists challenged the group to stretch their limits and perform magic. |
|
|
 |
| Cross-Eyed (Dir. Adam Jones) |
Inspiration comes and goes. For cross eyed writer Ernie Awning, it never comes. At home. At work. Or anywhere in between. But today, Ernie is inspired. Robot roommates, bald hairdressers, malicious meter maids, yo-girls, and drug-crazed exterminators are mere inconveniences to him now. But can he overcome an excitable neighborhood watch, the local backdoor black market, and a petite Chinese delivery girl? Or worst of all… writer’s block? |
|
|
 |
| Dark Decisions (Dir. Scott Lawson) |
While camping with his girlfriend and best mate, James awakens to them in an 'intimate' embrace. He could stay or confront them, or leave and start a new journey. From a life altering snap decision, James moves to a new city to start a new life. Escaping those who betrayed him. Will he find new love? Or will he be forever controlled by his fears and desires. |
|
|
|
 |
| Ellektra (Dir. Rudolph Mestdagh) |
Sam, ex-journalist/ex-junkie, gets the task to find the girl ellen and bring her back to her father aimé. Ellen refuses to go back to her criminal dad. Sam takes ellen, who reminds her of her deceased daughter, under her protection. But in the confrontation with ellen’s father, sam has no other option than to make a final sacrifice. Aside of the main plot, a number of characters is introduced : pianist anna, dj cosmonaut x, perfumer harry, pilot-to-be ludovic, stripper cynthia, hussler cabron. At first they seem to have little in common. Until a catastrophy hits them individually at the same time, and they accidently get in contact with ellen, through sms messages from ‘eLLektra’. |
|
|
 |
| Fatboy: The Movie (Dir. Michael Landsberg) |
Critically acclaimed as “clever,” “funny” and “not to be missed,” Michael Landsberg’s FATBOY - THE MOVIE tracks the circuitous route of Miles Forman on his quest to lose 50 pounds. Stunned by the notion that he could be fat for the rest of his life, determination kicks in. Inspiration arrives. Action follows. With gritty resolution, a sense of humor and true humility, Miles exposes himself in front of Landsberg’s cameras in his last ditch effort to win the war. Miles is one of multimillions of Americans whose dysfunctional upbringing paved the way for a life of inactivity, self-loathing and the constant burden of being overweight. As he peels off the pounds, we discover why the odds are against us. America’s poor eating habits go hand in hand with our obsession for “quick-fix” fad diets. FATBOY is interspersed with startling facts and figures, uncovering a general ignorance about weight loss programs and exposing the diet industry whose annual profits of $40 billion continue to expand in tandem with America’s waistlines. Landsberg’s award-winning FATBOY started out as a mission. It became Miles Forman’s salvation. |
|
|
|
 |
| Flyaway (Dir. Danny Oakley) |
A little wooden plane, despite the price it must pay, does the impossible and joins a world it could only dream of. |
|
|
 |
| The Great Happiness Space: Tall of an Osaka Love Thief |
The Great Happiness Space: Tale of an Osaka Love Thief introduces an extraordinary hidden world of Japanese nightlife in Osaka's Cafe Rakkyo. The denizens of this glamorous demi-monde, dedicated to partying till they drop, are captured by first time documentary producer/director, Jake Clennell with candid and poignant insight. Presided over by the charismatic, enigmatic Issei, the number one "host boy" in town, the club offers a new twist on the ancient geisha tradition. Glamorous host boys make beautiful young women laugh, feel good about their lives -- and pay handsomely for their pleasure. In this secret, outcast society of wealthy young people, money seems to mean easy gratification. But all these stylish players have to pay for their pleasures, and they can cost more than money. |
|
|
|
 |
| Home Delivery (Dir. Elio Quiroga) |
Jenny, on the island of Deer, Maine, is a sleepy provincial and miserable town. Life in this coastal town will be savagely affected by the arrival of a plague that infects the whole planet: the dead are rising from their tombs and devouring the living. That which seemed impossible is happening. Zombies have invaded earth. Maddie, a young woman incapable of making her own decisions, lives a placid and grey existence alongside her husband Jack, an illiterate and brutal lobster fisherman. Due to a terrible accident at sea, the mariner will die, swallowed by the waves. But the plague which runs rampant throughout Earth will also affect Jack, who will return from the dead and rise from his watery grave to visit his beloved wife. |
|
|
 |
| Keep Drinking, Men! The Story of Beer Drinkers in Space (Dir. Frank Delle) |
In 1983, a group of friends who worked at Disney building EPCOT decided to make a movie. None of them had ever made a feature-length movie before, but they used their creative talents, project management skills and sense of teamwork from Disney to create Beer Drinkers in Space. The movie took nine months to complete and consumed their lives and their homes as they constructed spaceship interior sets in family rooms, bedrooms, and garages. Elaborate models and pyrotechnics were shot. The script was transferred to cue cards and the intrepid movie makers popped open a few beers and got in front of the cameras to shoot this camp comedy feature. Now, over 23 years later, Beer Drinkers in Space writer/director Frank Delle found and interviewed every person involved with the production of the movie. Using these new interviews, as well as photographs, raw footage, behind the scenes footage and clips from the movie, Keep Drinking Men! The Story of Beer Drinkers in Space takes an affectionate look back at this quirky project. |
|
|
|
 |
| Love is Deaf: (Dir. Andrew Kenneth Gay) |
Written and directed by Andrew Kenneth Gay, "LOVE IS DEAF" is an impossible love story about two broken hearts separated by language but brought together by their otherness. |
|
|
 |
| Madam Marina (Dirs. Katrina Elias, & Gerald Massimei Jr.) |
During a hostile take-over of a Paramilitary occupied village near Bogota, Colombia, an aging prostitute and young Guerrilla soldier are held hostage, and learn each other's deepest life regrets. In search of his perfect mother, Lucas the young soldier has never loved a woman, and Marina the Madam, has only served her clients as a catalyst for their well being. Marina through magic, becomes Lucas’ estranged mother and bids him advice. Lucas having witnessed Marina's magic, begs her to become the young beauty she once was. |
|
|
|
|
 |
| My Imaginary Friend, Lars Stevens (Dir. Bryan Amyot) |
In this heart-warming and funny tale, we have Jerry, a twenty-something New Yorker, who's been dating Becky, the girl of his dreams. Everything seems to be going great, that is until Becky finds out about Jerry's secret: his imaginary friend. Meet Lar Stevens, galactic defender, wild card cowboy, and imaginary friend to a one Jerry. But Lar isn't your ordinary imaginary friend, he is REAL, and Jerry doesn't know this. Shocked, confused, and ultimately, creeped out, Becky splits, leaving Jerry heartbroken. After getting some sage-like advice from his imaginary friend, Jerry gets enough confidence to take Becky out on one those cliched romantic montages, where at the end, you know they're destined to get back together. But in the end, if Jerry is to be with the girl of his dreams, he must come to terms that his imaginary friend may or may not be real. |
|
|
|
 |
| Of Age (Dir. Charlie Corts) |
Any glance at a television, at the big screen, or at a newspaper headline and one might find that the current adolescent teen seems to be increasingly mixed up in the adult world of love, attraction, and sex. Into this scene enters our young lover and protagonist, Hunter, a not-so-atypical high school senior who attends an all-boys Catholic school. He is smart, witty, and, yet, he is not ready to embrace the adulthood that his most recent 18th birthday has provided him. When down the stairs walks Melissa, a very enticing 15-year-old beauty, he thinks he’s found everything he thinks he wants. Yet Melissa is a young woman with desires of her own and things don’t work out quite like Hunter might have envisioned. |
|
|
 |
| The Offering (Dir. Paul Lee) |
The Offering is a colour, 35mm, 10-minute short dramatic film about the progression and the passing of life. Without dialogue and music, the story centers on the evolution of love and friendship between a Japanese monk and the young novice who has come into his life, from their initial encounter to their final parting. In rejecting his own faith and drowning in self-doubts, the novice leaves his life of unfulfilled potentials. The passing of life is demarcated by the progression of seasons. The only force that propels the narrative forward is the poetic seasonal variations in nature. The passing of life, in this film, is as natural a progression as the passing of seasons. The offering that passes repeatedly between the two men is metaphorical for love and affection, which, like life itself, are the most fragile yet powerful and tenuous link between any two human beings, at any point in any lifetime. Through the universal experience of death and of mourning, this elegiac meditation affirms the acceptance and the respect for what life, and nature, have to offer, regardless of the ideological and cultural differences that separate all of us. |
|
|
|
 |
Plagues and Pleasures On the Salton Sea
(Dirs. Christopher Metzler & Jeff Springer) |
As narrated by legendary counter-culture filmmaker, John Waters, there was time when the Salton Sea, tucked into the southeast corner of California was known as the Riviera of the West—a haven for jetsetters and vacationers. Originally created by accident, it’s now one of the country’s worst ecological disasters: a fetid, stagnant, salty lake, coughing up dead fish and birds by the thousands. Still, a hardy few have hung on there, hoping for help to come along and restore the lake to its former glory. Congressman Sonny Bono himself was once dedicated to saving the lake, until he went skiing one day… Eccentrics abound in this surreal landscape: the naked guy who waves to passing RVs; the man who built his own holy mountain; beer-loving Hungarian Hunky Daddy; the guys who plan to get rich someday when this virtual sewer becomes a Riviera again. Hair-raising and hilarious, part history lesson, part cautionary tale and part portrait of one of the strangest communities you’ve ever seen, this is the American Dream gone as stinky as a dead carp. |
|
|
|
 |
| Rusty Forkblade (Dir. Evan Daugherty) |
Rusty Clayton spent most of his days down at the local pond, drinking, fishing and soaking up the Texas sun. All that changes when a freak grilling accident magically transports him to Valhalla, the mythical afterlife meant for slain Viking heroes. Odin, king of the Norse gods, claims that Rusty is the legendary Savior of Valhalla and that he alone can lead the warriors of Valhalla to victory against the invading troll army. Rusty is faced with a difficult decision… to return to his lazy life of ease back in Texas… or to step up to the plate and truly realize his potential. |
|
|
 |
| Salad Fingers (Episode 6) (Dir. David Firth) |
Salad Fingers entertains himself then recieves a gift from an old friend. Firth's psychadelic, surrealist direction with the absurdist plot creates a unique final product that you aren't likely to soon forget. |
|
|
|
 |
| The Shape of Water (Dir. Kum-Kum Bhavnani) |
THE SHAPE OF WATER (narrated by Susan Sarandon) weaves poignant stories and compelling footage of five women – Khady, Oraiza, Bilkusben, Dona Antonia, Gila –in Senegal, Brazil, India, and Jerusalem. These stories reveal the women’s realities and visions through their passions to create a more just world. |
|
|
 |
| Sparky (Dir. Adam Bertocci) |
When a massive blackout tosses his slacker lifestyle into upheaval, Sparky Peterson is forced to amuse himself. |
|
|
|
 |
| Tears in the Rain (Dir. David Estrada) |
A pair of conjoined twins are seperated. One recovers, the other is in a coma. They are closer than any two people could ever be, but have never seen each other in the eyes. This story is about being alone for the first time. |
|
|
|